Tangencies
Hola One and Subterminal present Tangency. Collaboration album that gathers 11 artists to celebrate the trajectories of different backgrounds and different lives.
ORDER CD AT AUDIOTONG/ HOLAONE.COM
video clip for Tangency.
SUBTERMINAL
Subterminal’s aka Leonardo Rosado main musical focus explores the collision between sound, poetry and everyday life by using automatic expressions what he likes to call – wordsoundscapes. The construction of his music pieces expose daily life happenings that are individual and at the same time universal: it has a strong sense of suggesting a pause to think about our actions and our surroundings. Words and sounds have different meanings, depending on the listener, but only if s/he takes some time to delve into the complexity of his or her own stimuli.
curator of FeedbackLoop Label since september 2009
- co-curator of XS Records since May 2009
- music releases under Subterminal moniker, released:
Bitstreams by Test Tube netlabel http://testtube.monocromatica.com/releases/tube220.htm
Bright Dawn Sketches by PublicSpaces Lab http://lab.pubspaces.com/2010/03/ps017-subterminal-bright-dawn-sketches/ in 2010
Filled With Light by XS Records http://xsrecordsptnetlabel.blogspot.com/2009/08/xs-63-subterminal-filled-with-light.html in 2009
Insight by Clinical Archives http://clinicalarchives.blogspot.com/2009/05/ca257-subterminal-insight.html in 2009
- participant in the workshop lectured by André Sier, about Max/MSP/Jitter, Processing and Arduino in 2010
- participant in 3 workshops lectured by Vítor Rua, about composition and live acts in 2008 and 2009
- released poetry book called Limiar in Corpos Editora in 2006
- publisher of poetry in the fanzine (Ventre) and readings with music from 2000 till 2003
TROCHE ZWIERZAK
Troche Zwierzak aka Krwawy Pepe aka Zaskoczony Życiem- independent electronic music producer from 3city, not connected with any group or music style. He likes alternative solutions in music and freedom of choices in creations, that`s why he feels best as co-producer of some pieces, not the whole compilations. Started making his own sose 10 years ago withing psycho-rap project Ganja Boys. His current work is oscillating aroung wide genre of electronic music.
WEIRDSVILLE
Music made with computer and machines, inspired by nature, urbanization, the blend of the two (like a power plant in the middle of a forest), the old australian and american tv serials. Cyberpunk movement, 80’s and 90’s tech-noir and sci-fi movies and unconventional sounds, in order to create cool soundscapes to make you trip. Concerning the name, its inspired by the 90’s tv serial “Eerie Indiana” and one of his main character “dash-X”, called “the kid with grey hair” and who claims that he woke up in weirdsville without any knowledge of how he got there, no memory of parents, hometown, past or his real name. Hope you will enjoy.
TIAGO MORGADO
With a background of classical music studies, Tiago Morgado (b.1988) is currently studying computer music (música electrónica e produção musical). in ESART at Castelo Branco. He is a is a violist, laptoper, composer, sound designer and improviser. He is a founder of XS Records [pt netlabel], which released between 2008 and 2010 music of him as well as music of people such as karlheinz essl, agnes heginger, klaus burger, mathew ostrowski, among others. He is a founder member of a large variety of projects such as Necrostilet and uncle bart comes to have breakfast which music has been released in several netlabels. He played with the portuguese synth-pop band papercutz, playing in sxsw 2010 in Austin - texas, plano b with high places, Islington Metal Works in London, exit festival (Serbia). His pieces space warp (dedicated to tomás henriques), and (chaos-choice ‘(process as a tool to reach a purpose) ‘(process as a purpose)), were selected to sound walk instalations in musica viva festival. He Participated in courses with Anette Vande Gorne, Andre Bartetzki, Rui Penha and filipe lopes, Hans Timmermans, Pedro Rebelo, Igor Soulyga, Paul Wakabyashi, Ryszard Woycicki, Jorge Alves, Johannes Kriger, William Parker, among others. He develops an activity as improviser having played future places 2009, performing in THE FUTURE PLACES IMPROMPTU ALL-STARS ORCHESTRA, and also START@STOP. He played in Rescaldo 2009 organized with the support of granular and mia - Encontros de Música Improvisada de Atouguia da Baleia.
FREDERICK ALONSO
Art Director, Music Producer, Composer and Bass guitar player.
Frederick Alonso has produced, recorded, remixed or performed with: Hola One, Röyksopp (Remix), Boom Clap Bachelors (Remix), Ronni Vindahl, Ernest Joy, Thomas Van Herpe. It was early 2001 when the first edits in Sony Soundforge inspired the creative side of Frederick Alonso.
He describes himself as a talented Belgium tech-house, lush melodic instrumental and orchestra minded producer. An addiction to get deep electro tunes, inspired by deep tech house tracks from NY and Chicago, are more or less an inspiration to him. It was until 2007 that he started to produce his first tracks and because the love for music started to grow, he decided to build a personal music studio. Frederick is currently working on various upcoming singles and a debut album.
BRIDGET WISHART
Bridget might be best known for the many talents which she brought to legendary space rockers Hawkwind during her tenure with the band in the early 1990s, providing her vocals, poetry, mime and dance, and playing a major part in rejuvenating their sound and vision for a whole new generation of fans, but that’s only a small part of her story.
When Bridget joined the Hawks, she was already well-known to the free festival crowds as having been the singer for The Demented Stoats and, mostly notably, with the all-girl punksters The Hippy Slags. Although those alliances were, sadly, never committed to vinyl, her time in Hawkwind (for which she left her job teaching ceramics at Bath’s Prior Park College) delivered up albums such as Space Bandits and Palace Springs, an appearance on the television music show Bedrock and a number of DVD releases. The magnum opus, ‘Images’, which she co-wrote and provided lead vocals on, is still a live favourite for the Hawkwind faithful, whilst her evocative vocals on the Native American-influenced ‘Black Elk Speaks’ is a high-point in 90s Hawkwind output.
Leaving Hawkwind in 1991, she moved on to contribute dance and choreography with Techno Pagan and then in 1995, along with Tim Carroll, formed the UV design company, Temple Decor, who, among their credits, provided backdrops for the WOMAD festival. Having left the music scene in 1997, little was heard from Bridget until she was, thankfully, lured out of musical retirement in 2002 by American composer/musician Don Falcone. Since then, she’s worked with Don and his space rock collective, Spirits Burning, on two full-length CDs, Earth Born and Bloodlines (both released by Voiceprint Records and now Floating World Records).
Very much in demand now, Bridget has recorded with a slew of contemporary space rock ensembles across the globe. Mooch, Spaceseed, MyOuterSpace, and Osiris The Rebirth are just a few of the bands that have enjoyed contributions from Bridget, whether as a singer, performing spoken-word pieces, or as an instrumentalist. It’s revealed yet another aspect to her creativity as she’s added her saxophone, clarinet or her favoured EWI to these records.
Latest projects include two full albums; Time Flies, recorded as a member of Omenopus has received a slew of enthusiastic reviews as, no doubt, will Last Wish, a concept album of Middle Eastern music written and recorded by Bridget and her former Hawkwind band mate Alan Davey under the name Djinn. If those projects weren’t enough, she’s also the co-author of the forthcoming Festivalized, which recounts the rise and fall of the free festival scene as told by those who were there.
Bridget’s latest live band is Chumley Warner Bros, which consists of herself on vocals and EWI, alongside Martin Plumley on guitar and vocals. They describe themselves as having a ‘semi-acoustic fireside sound’, harkening back to the festivals campfires of yesteryear. Catch them where you can!
image by Frederick Alonso
EVERLING
Detlev Everling born 1962 in Gelsenkirchen, Germany. Kindergarten, school, university of music… Since 1978 he was keyboarder for several bands, at last for Blackfingers feat. Gitta MacKay. Since 1990 I’m a professional french horn player, first in Annaberg, now for the Landesbuenen Sachsen in Radebeul/Saxonia. At home he have some fun with making electronic music. Detlev is collaborating with Bridget Wishart, Tonzentrale, Hola One, Ewwerling Jr., Hensel 3000, Gitta Mackay, Spirits Burning, Karl E. Seigfried and David Speight.


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